{"id":809,"date":"2019-01-03T20:38:20","date_gmt":"2019-01-03T20:38:20","guid":{"rendered":"http:\/\/avicom.icom.cust.oxymium.net\/activities\/workshops\/archival-film-workshop-whose-film-is-it-anyway\/"},"modified":"2019-01-03T20:46:47","modified_gmt":"2019-01-03T20:46:47","slug":"archival-film-workshop-whose-film-is-it-anyway","status":"publish","type":"page","link":"https:\/\/avicom.mini.icom.museum\/es\/activities\/workshops\/archival-film-workshop-whose-film-is-it-anyway\/","title":{"rendered":"Archival Film Workshop: Whose Film is it Anyway?"},"content":{"rendered":"<div id=\"RTE_CONTENT\"> <!--TYPO3SEARCH_begin--> \t<!--  CONTENT ELEMENT, uid:6047\/text [begin] --> \t\t<\/p>\n<div id=\"c6047\"> \t\t<!--  Text: [begin] --> \t\t\t<\/p>\n<h3>Thursday,  June 23, 2011, 10:00 AM &#8211; 5:00 PM<\/h3>\n<h2>BLCC Foyle Learning Centre, British Library<\/h2>\n<p>\u00a0<\/p>\n<p>The  workshop focused on the issues of archiving anthropological film and the  ethical dilemmas and possibilities of access presented by the digital age. In  the digital age as archives and museums enable access to material by means  beyond the imagination of many of their original collectors, many challenging  issues confront archivists and filmmakers alike. As\u00a0 the internet brings  the documented and the investigators face to face, archives have become the  sites for much of this frontline debate. This joint workshop, by the <a href=\"http:\/\/www.therai.org.uk\/film\/film-library-a-archive\/\" target=\"_blank\">RAI Film  Archive<\/a> and the <a href=\"http:\/\/www.bl.uk\/\" target=\"_blank\">British Library<\/a> [Moving Image and World and Traditional Music  curators], will be constructed around three sessions with invited panellists to  instigate informed discussion and answer questions.  <\/p>\n<p>\u00a0<\/p>\n<p><img decoding=\"async\" src=\"http:\/\/avicom.mini.icom.museum\/wp-content\/uploads\/sites\/3\/2019\/01\/RTEmagicC_honlap_terv.gif.gif\" alt=\"Museum of Ethnography\"><\/p>\n<p>\u00a0<\/p>\n<p>J\u00e1nos  Tari gave a presentation on <i>THE  NEW SYSTEM OF DIGITAL ACCESS TO MOVING IMAGES IN THE HUNGARIAN MUSEUM OF  ETHNOGRAPHY. <\/i>In 2002, the Museum of Ethnography was  awarded funds from OTKA (the National Academic Research Fund) to purchase high  quality digitizing equipment. The award was made to increase the standard and  efficiency of academic and museum research in Hungary. The total digitized film  stock is now held in a server unit with a capacity of 2560 gigabytes and  consisting of 32 hard disks. This server is able to hold a total of 130 hours  of film footage of native DV format but this may be extended by 3 to 4 times in  future. The database allows anyone to search in a simple and rapid way for all  digitized film segments. Keywords are then entered with a time code. Keywords  are based on the pictorial and content data of the film collection; this is  often referred to as a subjective descriptive system.  <\/p>\n<p>\u00a0<\/p>\n<p><img decoding=\"async\" src=\"http:\/\/avicom.mini.icom.museum\/wp-content\/uploads\/sites\/3\/2019\/01\/RTEmagicC_NM_archive_screen1_m.jpg.jpg\" alt=\"Museum of Ethnography\"><\/p>\n<p>\u00a0<\/p>\n<p>In its present form, the  keyword system of the film collection of the Museum of Ethnography is only the  starting point for a full system of keywords to be\u00a0 integrated with a fully comprehensive  ethnographic thesaurus\u00a0 system. The  digitization of the 268 items (around 40 gigabytes of DV in AVI format) was  finished in 2009. Lower resolution copies of the digitized films may be viewed  and researched during normal opening hours in the reading room of the Library  of the Museum of Ethnography, in the hallof the museum and Motion Picture  Collection during opening hours and research service times, and online by the  end of 2011. (<a href=\"http:\/\/www.neprajz.hu\/\" target=\"_blank\">www.neprajz.hu<\/a>) <\/p>\n<p>\u00a0<\/p>\n<p><img decoding=\"async\" src=\"http:\/\/avicom.mini.icom.museum\/wp-content\/uploads\/sites\/3\/2019\/01\/RTEmagicC_NM_archive_screen3_m_01.jpg.jpg\" alt=\"Museum of Ethnography\"><\/p>\n<p>\u00a0<\/p>\n<p>Over  the past eight years the digitized archive has contributed to the realisation  of multimedia programmes supporting ethnographic exhibitions at the Museum as  well as an installation consisting of seven plasma monitors keying archival  film and photography to Bart\u00f3k\u2019s music for the\u00a0  travelling exhibition CONSCIOUSNESS. The most important task for our  archive is to keep a record of the moving images, to preserve and restore them,  and to provide access to them, helping us to manage our heritage in a  sustainable way. <\/p>\n<p>\u00a0<\/p>\n<p>J\u00e1nos Tari<br \/>   General  secretary of AVICOM<\/p>\n<p> \t\t<!--  Text: [end] --> \t\t\t   \t<!--  \t\tBEGIN: Content of extension \"hpo_relatedlink\", plugin \"tx_hporelatedlink_pi1\"  \t--> \t<\/p>\n<div> \t\t \t<\/div>\n<p> \t \t<!-- END: Content of extension \"hpo_relatedlink\", plugin \"tx_hporelatedlink_pi1\" -->  \t<\/div>\n<p> \t<!--  CONTENT ELEMENT, uid:6047\/text [end] --> \t\t<!--TYPO3SEARCH_end--> <\/div>\n","protected":false},"excerpt":{"rendered":"<p>Thursday, June 23, 2011, 10:00 AM &#8211; 5:00 PM BLCC Foyle Learning Centre, British Library \u00a0 The workshop focused on the issues of archiving anthropological film and the ethical dilemmas and possibilities of access presented by the digital age. In the digital age as archives and museums enable access to material by means beyond the [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":349,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"yst_prominent_words":[],"acf":[],"_links":{"self":[{"href":"https:\/\/avicom.mini.icom.museum\/es\/wp-json\/wp\/v2\/pages\/809"}],"collection":[{"href":"https:\/\/avicom.mini.icom.museum\/es\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/avicom.mini.icom.museum\/es\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/avicom.mini.icom.museum\/es\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/avicom.mini.icom.museum\/es\/wp-json\/wp\/v2\/comments?post=809"}],"version-history":[{"count":1,"href":"https:\/\/avicom.mini.icom.museum\/es\/wp-json\/wp\/v2\/pages\/809\/revisions"}],"predecessor-version":[{"id":2180,"href":"https:\/\/avicom.mini.icom.museum\/es\/wp-json\/wp\/v2\/pages\/809\/revisions\/2180"}],"up":[{"embeddable":true,"href":"https:\/\/avicom.mini.icom.museum\/es\/wp-json\/wp\/v2\/pages\/349"}],"wp:attachment":[{"href":"https:\/\/avicom.mini.icom.museum\/es\/wp-json\/wp\/v2\/media?parent=809"}],"wp:term":[{"taxonomy":"yst_prominent_words","embeddable":true,"href":"https:\/\/avicom.mini.icom.museum\/es\/wp-json\/wp\/v2\/yst_prominent_words?post=809"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}