Final updated: The Program of the AVICOM Conference, General Assembly and Media Festival 21-23 09 2023

Dear AVICOM conference participants,

To ensure a seamless conference experience, please take note of the following important details:

FOR REMOTE PARTICIPANTS:

To gain access to the streaming, please complete your registration on Eventbrite using this link:

https://www.eventbrite.co.uk/e/719060538427?aff=oddtdtcreator
Please share the Eventbrite link with your colleagues or anyone who might be interested.

Below the final program:

AVICOM 2023 FINAL Conference Program_compressed

Online Workshop 13th Sept 2023: Museums, Virtual Reality and Sustainability in the Climate Emergency

Timetable (London Time)

Welcome Alan, Michael

12:00 – 1:20

  1. Heritage, Virtual Museums and the Climate Emergency

Henry McGhie: Museums Sustainability and Climate Change. Curating Tomorrow

Dr Jenny Newell: Imagining Potential Climate Futures. Australian Museum’s Climate Solutions Centre.

Klaus Thyman: Visualising Climate Change, Project Pressure

Nicola Henderson: Climate Ambassadors, Museums and Heritage Highland

Compere: Catherine Cassidy Carare

1:30 -2:30

  1. Building a Just Climate Future

Alaisdar Gordon Gibson: Climate Change a Humanitarian Emergency, Red Cross

Gozde Yilitz: Valorising Heritage Buildings, University of Sienna

Kevin Denham: Museum’s intervention in designing Climate friendly residential areas, Sweden

Ruiridh C Muir: Applying architecture to create climate friendly museums, Bard Architects

Compere: Maria Andrei University of St Ancrews

2:40 – 4:00

  1. Energy, Climate and Exhibitions

Michael H. Faber: Open Air Museums and Climate Change President of AVICOM

Maria Andrei: Immersive Climate Futures and Climate Action, UStA

Sophie Walker: Sophie Hynd: Verdant Works: a case study in climate informative exhibitions

Giula Gregnani: Beatrice: Transition Under Petrocapitalism, Timespan Museum and Archive

Pavat Kats: Digital infrastructure for sharing community climate information, Jewish Heritage

Compere: Alan Miller University of St Andrews

4:00 – 5:30

  1. Preparing for Climate Action

Kaye Hall: Barbados Museum and Historical Society

Ximena Jordan: Museos Frida Kahlo y Diego Rivera Anahuacalli

Ibrahim Tchan: Digital Resilience: Takienta’s Adaptation to Climate Change

Catherine Cassidy Virtual Museum of the Caribbean: EU-LAC project

Compere: Marta Peinador, AVICOM Board.

Register for our online workshop #Museums, #VirtualReality and #Sustainability in the #ClimateEmergency, that will take place next 13th September 2023.

Registration is free of charge in this link:

 https://www.eventbrite.com/e/museums-virtual-reality-and-sustainability-in-the-climate-emergency-tickets-684726755157

 For more information please, send an e-mail to alan.miller@st-andrews.ac.uk.

 

Updated! Program of the AVICOM Annual Conference & f@imp Festival 2023

Sustainable Preservation and Promotion of Heritage: The Virtual Museum

AVICOM Annual Conference & f@imp Festival 2023 – St Andrews, Scotland

Preliminary Program Version August 23 (All times: GMT)

Thursday September 21 Arrival Day:

15:00 Optional: Visit to the Wardlaw Museum (Museum of the University of St Andrews)

17:00 Medieval St Andrews guided tour (including St Andrews cathedral and castle)

Meeting point: Entrance to the Wardlaw Museum

 19:00 Welcome Meeting, School of Computer Science of the University of St Andrews, Jack Cole Building, North Haugh, St Andrews

Friday September 22: Sustainable Preservation and Promotion of Heritage: The Virtual Museum. General Assembly and Conference Part 1

Parliament Hall of the University of St Andrews, 66 South St, St Andrews

9:30 – 10:00 Registration

10:00 – 10:15 Opening

N.N. (Representative of St Andrews)

Alan Miller, University of St Andrews

Michael H. Faber, Chair of AVICOM

Questions of Principle and Basics

Moderation: Janos Tari, Károli Gaspár University Budapest, Hungary / Ex Chair of AVICOM

10:15 – 10:35 Gaoli Liu, National Ainu Museum, Shiraoi Hokkaido, Japan:

Exploring the Advantages and Challenges of Virtual Museums: A Case Study of the National Ainu Museum

10:35 – 10:55 ONLINE: Kathryn Nellis Medill-Torres, Rocky Mountain College of Art and Design, Denver Colorado, USA:

An Anecdotal Review of the Guiding Questions for AVICOM’s General Assembly Conference 2023

10:55 – 11:55 WORKSHOP: Alan Miller, Kamila Oles, Open Virtual Worlds Research Group, School of Computer Science, University of St Andrews, Scotland, U.K.; Julia Römhild, Bernd Günter, Faculty of Business Administration and Economics, Heinrich-Heine- Universität Düsseldorf, Germany:

Under Construction: Defining Virtual Museums in the context of Sustainablility

Methodical Approaches

Moderation: Michael H. Faber, Chair of AVICOM, Germany

11:55 – 12:15 Simina Badica, House of European History, Brussels, Belgium:

How to create a virtual European History experience?

12:15 – 12:30 Discussion

12:30 – 14:00 Lunch (Self-paying)

14:00 – 14:20 Can Chen, Bournemouth University, Poole, U.K.:

Media Arts in Narrative-style Exhibition : Curatorial Approaches in China

14:20 – 14:40 Rasa Bočyté, Max Tiel, Netherlands Institute for Sound & Vision, Hilversum, The Netherlands; Arno Verhofstadt, Wendy Van den Broeck, Vrije Universiteit Brussels, Belgium:

Remotely Together: The Virtues and Limitations of Social XR in the Cultural Heritage Sector

Attracting Visitors, Barrier Reduction and Sustainability

Moderation: Anna-Maria Marras, Dipartimento di Studi Storici, Universitá di Torino, Italy

14:40 – 15:00 Hazem Mohammed Farrag, Tourist Guidance & Heritage Management, Faculty of Arts, Ain Shams University, Cairo, Egypt:

Exploring the Perspectives and Expectations of Egyptian Tour Guides on the Incorporation of Virtual Museum Tours in Tourism Activities: Implications for Enhanced Tourist Engagement

15:00 – 15:20 Rema Zeynalova, Azerbaijan National Carpet Museum, Baku, Azerbaijan:

Breaking boundries at the Azerbaijan National Carpet Museum: Virtual Museum as a tool for increasing accessibility

15:20 – 15:40 Funda Yüksel Özer, Mersin Arkkeoloji Müzesi, Yenişehir Mersin, Turkey:

New Approach to Virtual Museum

15:40 – 16:00 Julia Römhild, Bernd Günter, Faculty of Business Administration and Economics, Heinrich-Heine-Universität Düsseldorf, Germany:

Unveiling the Potential: Virtual Museums for Sustainable Development

16:00 – 16:30 Break

16:30 – 16:50 Kamila Oles, Alan Miller, Open Virtual Worlds Research Group, School of Computer Science, University of St Andrews, Scotland, U.K.:

Promoting Sustainable Development with Emergent Immersive and Mobile Technologies

16:50 – 17:00 Discussion

Practical Examples / Case Studies

Moderation: N.N.

17:00 – 17:20 Eva Schubert, Museum With No Frontiers (MWNF), Vienna, Austria

The transnational Museum With No Frontiers programme – online collections, exhibitions, galleries, tours – and hosting the largest online resource dedicated to the artistic legacy of Islam

17:20 – 17:40 Mohamed Ismail Ibrahim, Faculty of Archaeology, Ain Shams University, Cairo, Egypt:

Building a Virtual Museum within a Museum: The Zafaran Museum as an Example

17:40 – 18:00 Lara Corona, Universitat Internacional de Catalunya, Barcelona, Spain

Virtual museums: a threat for ‘real museums’ or an additional value to them?

18:00 – 18:15 Discussion

19:00 Meeting in a traditional Pub (precise location details to be communicated later)

 

Saturday September 23: Sustainable Preservation and Promotion of Heritage: The Virtual Museum. General Assembly and Conference Part 2

Parliament Hall of the University of St Andrews, 66 South St, St Andrews

Practical Examples / Case Studies

Moderation: Aleš Kapsa, Jan Amos Komenský Museum, Uherský Brod, Czech Republic

9:30 – 9:50 Muhammad Zubair Rabbani, Bahawalpur Museum, Bahawalpur, Pakistan:

Virtual Museums: A Gateway to Cultural Exploration

9:50 – 10:00 Yuqiao Hu, School of Museum Studies, University of Leicester, U.K.:

Empowering Small Museums in Creating Virtual Museums on Social Media Platforms – A Case Study of Longxi County Museum, China

10:10 – 10:30 Nina Pearlman, Andy-Hudson Smith, Valerio Signorelli, Leah Lovett, Jason McEwan, UCL Museums, UCL, London, U.K.:

Bridging Worlds: Novel panoramic capture and virtual navigation of exhibition spaces at UCL

10:30 – 10:50 Kaji Appolinaire, Musée La Blacktude, Yaoundé, Cameroon:

Virtual exhibition on traditional African musical instruments: Issues and audiences

10:50 – 11:00 Kamila Oles, Alan Miller, Open Virtual Worlds Research Group, School of Computer Science, University of St Andrews, Scotland, U.K.:

Climate Change and the Virtual Museum

11:00-11:10 Kamila Oles, Alan Miller, Open Virtual Worlds Research Group, School of Computer Science, University of St Andrews, Scotland, U.K.:

The digital curation of open-air museum Augmented Reality (AR) and Virtual Reality (VR) mobile apps

11:10 – 11:20 Discussion

11:20 – 11:35 Short Coffee Break („1 coffee“)

11:35 – 12:00 ONLINE: Nicolle Manuelle Bahia Bittencourt, Graduate School of Asia-Pacific Studies

Waseda University, Tokyo, Japan:

From physical to virtual: Information and Communication Technologies Strategies adopted by the National Museum of Brazil and Shurijo Castle in Japan after a destructive fire

Discussion

12:00 – 12:15 Michael H. Faber, Chair of AVICOM

Conclusions. Results of the Conference

12:15 – 12:45 General Assembly of AVICOM (for AVICOM members only)

12:45 – 14:00 Lunch (Self-paying)

14:00 – 15:30 Faimp Award Ceremony

15:40 Assembling at the designated bus for the trip to Dundee (specific location details to follow).

16:15 – 18:00 Guided exploration of Discovery Point and RRS Discovery in Dundee, located along Riverside Drive.

19:00 Conference Dinner with Reception of the Faimp Winners at Discovery Point, Dundee

(Self-paying by participants; Winners: free)

(Meeting point will be announced later.)

 

Sunday Sept 24 Departure Day

10:00 Gathering at the School of Computer Science, University of St. Andrews, situated within the Jack Cole Building on North Haugh, St. Andrews. Luggage storage is available at this location, in room no 0.37. Refreshments, including coffee and tea, are provided.

Invitation to our General Assembly 2023

Dear AVICOM members,

I hereby invite you to this year’s General Assembly on Saturday 23 September, 12:15 (GMT)

Parliament Hall of the University of St Andrews, 66 South St, St Andrews.

The AGM will be held hybrid.

Agenda:

1. Welcome by the President

2. Financial report

3. Discharge of the Executive Committee

4. Duties and obligations of the Executive Board members

5. Activities / programme of AVICOM 2024

6. Miscellaneous: proposals can be submitted in writing until 10 September 2023.

If you would like to participate online, please let me know by 10 September 2023.

Paris, 14th August 2023

Dr. Michael H. Faber

President of AVICOM

Museums, Virtual Reality and Sustainability in the Climate Emergency: Online Workshop 13th September 2023

Photo License: Takver from Australia, https://www.flickr.com/people/81043308@N00, https://commons.wikimedia.org/wiki/File:Climate_Emergency_-_PeoplesClimate-Melb-IMG_8280_(15121150847).jpg

The Climate Emergency represents an existential threat to culture and heritage. Yet museums can use VR to help mobilise climate action. The AVICOM General Assembly 2023 pre-conference meeting in St Andrews proudly presents an innovative and timely online panel, focusing on the intersection of climate change, heritage preservation, and the vast potential of virtual museums.

The workshop will draw upon experience of climate scientists, aid workers, museum practitioners and communities to understand how best we can mobilise climate action to address the climate emergency.

Topics to be addressed include:

  • Using citizen science to monitor the impacts of climate change.
  • How digitisation can contribute to preservation and adaptation to climate change.
  • How does climate threaten our heritage?
  • Imagining potential climate futures.
  • Digital strategies for mitigating climate change
  • Using immersive and mobile technologies to promote understanding fo climate threats and solutions.

If you would like to contribute to the workshop please email Dr Alan Miller ahr1@st-andrews.ac.uk or Dr. Michael H. Faber Dr.M.Faber@t-online.de

If you would like to participate in the workshop (13th September 2023, 2 pm CET) please reserve a ticket through eventbrite.

https://www.eventbrite.com/e/museums-virtual-reality-and-sustainability-in-the-climate-emergency-tickets-684726755157?aff=oddtdtcreator

F@IMP Media Festival and General Assembly / Conference 2023 “The Virtual Museum”: Welcome to St Andrews!

Welcome to St Andrews, Scotland!

Cordial invitation to the F@IMP Festival and the AVICOM General Assembly / Conference 2023:

Sustainable Preservation and Promotion of Heritage: The Virtual Museum

It is now definite: The traditional international AVICOM Festival (Festival of Audiovisual and Innovative Museum Media Productions) 2023 in combination with the annual General Assembly / Conference of AVICOM  will take place from Thursday 21 September (arrival day) to Sunday 24 September (excursion and departure day) in the university town of St Andrews in Scotland.

Founded in the 15th century, St Andrews is Scotland’s first university and the third oldest in the English speaking world. Teaching began in the community of St Andrews in 1410, and the University was formally constituted by the issue of a papal bull in 1413.

At the last Faimp Festival, the University of St Andrews, School of Computer Science, had won an award with their website production “Virtual Orkney North Isles”. AVICOM is grateful that, as is tradition at the festivals, the university as a winning institution has agreed to host this year’s festival and conference.

Photo: Charles Clegg https://www.flickr.com/photos/glasgowamateur/ https://commons.wikimedia.org/wiki/File:A_view_of_St_Andrews_8515359035_d7fb968324_o.jpg

The F@IMP Festival:

AVICOM invites all museums and other cultural institutions as well as media producers who are members of ICOM to participate in this year’s Media Festival.

Please note that the categories have changed as follows: Museum film, animation –  Media – Web – Exhibition installation – Mobile application.

The following criteria will be assessed in the categories: Research, documentary – Education and mediation – Interpretation – Inclusivity and sustainability.

The General Assembly / Conference:  Sustainable Preservation and Promotion of Heritage: The Virtual Museum

In addition, AVICOM cordially invites you to participate in this year’s General Assembly / Conference. The theme is “The Virtual Museum”:  What are the content-related and methodological criteria for a Virtual Museum and what distinguishes it from other online museum databases? In which cases does the installation of a VM make sense? Can and may the VM replace the physical museum? Does the VM pose a threat to the physical museum or can the VM support the physical museum? Are there target groups that can be reached better via the VM than via the physical museum? What opportunities does the VM offer in terms of barrier reduction, inclusion and sustainability?

Submission of contributions is closed.

The Festival and Conference are intended as hybrid events.

The language at the Festival and in the General Assembly / Conference is English.

Here you can find the preliminary program which will be continuously updated, the registration form and some useful informations:

Schedule-AVICOM Annual Conference Festival 2023-Version 06July

Registration form

Avicom_conf_2023_guide

Please do not hesitate to contact us if you have any questions:

Media Festival: Ms Ildikó  Fejes, Festival Director: fejes.ildiko@gmail.com

General Assembly / Conference: Mr Dr Michael H. Faber, Chair of AVICOM: dr.m.faber@t-online.de

 

The COVID19 Challenge. Museums in Times of Crises – Results of the Solidarity Project of AVICOM, MPR & ICOM Germany – With Best Practice Examples

Gallery “COVID-19 & History”, Deutsches Medizinhistorisches Museum Ingolstadt

When it comes to finding out about something, the internet is by far the most important tool today. More than 75 per cent of Internet users first inform themselves on the Internet – about news, laws and guidelines, products, services, people, culture, travel destinations, places of interest … and visit corresponding websites for this purpose. Here, findability, appeal to the user, content, form and user-friendliness determine the degree of positive, convincing perception and, as a result, the actual use of what is offered. In this context, the good design of the homepage as the start page of a website plays a very decisive role. Homepages are business cards, the intro to websites, with which persons and institutions present themselves, (let themselves be) identified – accessible seven days a week, 24 hours a day from anywhere in the world, provided there is no technical malfunction.
To be able to communicate around the clock, just in time and globally, according to topic and target group as needed, and also barrier-free: that is the benefit of social media. They offer a platform for news, for obtaining opinions and suggestions, for dialogue and discourse, they create new contacts and serve as a means of “customer loyalty”.
It is a truism that websites and social media have long since become indispensable means of communication, information and marketing also for cultural institutions, heritage sites and museums. Even if the use of these means still shows significant differences in a global comparison: If, for example, in Germany in 2018, i.e. before the start of the Corona pandemic, around 95 per cent of all museums were present either via their own homepage or via another website (1), this may be in line with the European average. In any case, the percentage value differs significantly from the internet presence of museums in developing and emerging countries on other continents. The transferability of the percentages of social media use of German museums to other countries is equally questionable: in 2018, 44.7 percent posted on Facebook, 17.4 percent on Instagram and 10.3 percent on Twitter. (2)
For the pandemic year 2020, in the first months of which there were still no regulations for the operation of public cultural institutions and thus impairments to their operations, a statistical survey shows an increase in digital activities for around 40 per cent of German museums. No increase was reported by about 48 per cent of the museums, and about 10 per cent gave no information. However, the non-increase at those 48 percent of museums cannot be interpreted: It is possible that many museums were already well positioned digitally before the pandemic.
That the increase in other museums is directly related to the negative impact of the pandemic on public, physical museum use is suggested by data on the nature of the increase: Online exhibitions increased by 20.7 per cent, special offers such as exploratory games by 33.4 per cent, shifting of planned activities to the internet by 35.6 per cent and the development of digital media and content in general by 53.4 per cent. An increase in the use of social media was reported by 68.1 per cent of museums.(3)
But what does all this say about the quality of cultural institutions’ digital communication and interaction with the public? What about the public’s perception, their reaction?
This study has examined the digital presences and activities of more than 150 museums in times of the pandemic. With its innovative methodology of a multi-layered cross-diagnosis and evaluation, it was possible to evaluate the digital presence of each museum in a score and, which was ultimately the important goal of the study, to identify best practice examples as signposts for successful digital communication of cultural institutions.

YouTube Video “The end of the tancs?” on the war in Ukraine, Deutsches Panzermuseum Munster

Beyond the text version presented here in the three ICOM languages, the results of the research can be analysed in depth – through links and interactive tools.
The ICOM committees AVICOM and MPR – both of whom share an interest in media communication of museums and culture – are grateful to ICOM for granting this unique project and thus also financial support, without which the project could not have been successfully carried out in this dimension. AVICOM and MPR are also grateful to the German ICOM National Committee, which successfully accompanied the application for the project and its promotion – not least in a Joint Session at the ICOM General Conference in Prague 2022, which was marked by great resonance. Very special thanks, however, go to Michael Eulenstein, a young scientist from the University of Hildesheim/Germany. In constant close scientific and methodological coordination with us, he carried out this study with unbelievable commitment, impressive creativity and an extraordinary sense of the essential. The results are impressive!

1) Staatliche Museen zu Berlin – Preußischer Kulturbesitz. Institut für Museumskunde (Ed.): Statistische Gesamterhebung an den Museen der Bundesrepublik Deutschland für das Jahr 2018. Including an English Summary. Berlin 2019 (= Materialien aus dem Institut für Museumsforschung, Heft 73)

2) Ibid.

3) Staatliche Museen zu Berlin – Preußischer Kulturbesitz. Institut für Museumskunde (Ed.): Statistische Gesamterhebung an den Museen der Bundesrepublik Deutschland für das Jahr 2020. Including an English Summary. Berlin 2022 (= Materialien aus dem Institut für Museumsforschung, Heft 76)

Michael H. Faber

 

Here you will find the complete documentation:

https://linktr.ee/covid19challenge

 

 

 

 

Prague 2022: Big success for AVICOM

The 26th General Conference in Prague was extremely successful for AVICOM. For the first time, the Media Committee organized joint meetings with ICOM Germany and the international committees CECA and MPR, which were attended by a total of around 200 guests. The main topics were “Digital Media for the Preparation, Implementation and Follow-up of the Museum Visit. Sense, Superfluity or Nonsense?” and “The COVID19 Challenge: Museums and their digital engagement in times of crises. Results of the Solidarity Project of AVICOM, MPR and ICOM Germany”. In another session, which was also well attended, AVICOM presented “News from the world of audiovisual and digital museum media”.

In the ICOM session “Solidarity Projects”, AVICOM and MPR reported on their investigative project “The COVID19 Challenge”, which attracted particular attention and response from the participants.

The highlight of the AVICOM activities in Prague was the award ceremony of the AVICOM media festival “faimp” to the winners, followed by a reception in the National Museum of Technology in Prague. Around 80 guests attended, including many representatives of international committees.

Click here to watch the award ceremony video:  https://youtu.be/vqVsJT8p71o

Under “Reports” you will find reports and a selection of the presentations at the sessions.

 

Budapest 14 & 15 December 2022: “Reshaping experience and storytelling in museums”: AVICOM participated in hosting the conference.

AVICOM participated in hosting the conference “Reshaping experience an storytelling in museums” in Budapest, 14 & 15 December 2022.
As final event of the muse.ar project (co-funded by the Creative Europe Programme of the European Union) this conference took a broader look at digital developments and communication challenges in museums and aimed to bring good examples from the recent years. The focus was on interpretation and how digital planning and online presence – wether it is audience engagement or virtual exhibitions – can support or complement the work of museums.
Among the speakers the conference hosted renowned Hungarian and foreign experts who shared their experiences and thoughts about museums in the 21st century with the audience and their colleagues.
AVICOM was an associated partner of the conference and several of their representatives gave presentations. As one of their objectives was to make museum professionals aware of and better informed about the usefulness and potential of audiovisual and new technologies. Their presence guaranteed useful and meaningful opportunities for professional debate and exchange of ideas. Roundabout 70 professionals and students took part in the conference, which also was streamed.

Here the contributions of the AVICOM representatives:

Keynote speaker of the first conference day was AVICOM President Dr. Michael H. Faber (Germany): “Communication and mediation. Digital, analogue, personal? About must-have, nice to have and nonsense”.

Digital and social media promote the public perception of museums, pave new ways of outreach and enable a more intensive involvemeht of target groups in museum work. This makes the following questions all the more important: How can digital media be used sensibly? How can they make the original tangible? Have conventional mediation and communication had their day? After all, despite all the digitalisation, museums remain analogue.

Michael Louis Eulenstein (Germany) presented “The COVID-19 challenge. Museums and their digital engagement in times of crisis”.

The COVID-19 pandemic and the digital transformation are having a major impact on the museum sector. Museums were faced with the challenge of developing formats and concepts that could be played out digitally. The goal of the joint “Solidarity Project” of AVICOM, MPR and ICOM Germany, financed by ICOM, was to collect best practice examples that can serve as models, especially for small and medium-sized museums. AVICOM will publish the results of this project in January 2023.

Dr. Kamila Oles (United Kingdom) presented “Culture power to inspire development in rural areas: Virtual Orkney Northern Isles exhibit platform”.

CUPIDO Virtual Orkney North Isles was created as a shared exhibit virtual platform. The online galleries and virtual tours display the heritage of all six isles so that Orkney communities and users from around the world can virtually explore the beauty of Orkney Northern Islands’ natural and cultural legacy. Simultaneously, a touch screen and VR set showcasing the virtual exhibits have been placed on-site in the heritage centres in Orkney North Isles. The videos and audio reflect the unique atmosphere and climate determined by Orkey’s natural elements, such as wind, ocean, sea birds and the ancient native Orkney sheep.

Dr. Anna Maria Marras (Italy) presented “Concersational assistants, chatbot: how language technologies interact in the everyday life of GLAM institutions”.

The term ‘conversational interface’ indicates a set of human-machine interfaces based on dialogue which includes: This type of technology is continuously developing and improving and can be excellent applications for museums as well. The presentation explored the history of these applications in the museums and GLAM institutions, telling their evolution and highlighting future applications.

Ph.D. Mohamed Ismail Ibrahim (Egypt) spoke about the “Virtual Museum of Tutankhamun”.

The use of immersive virtual reality (VR) systems in heritage can allow users to visit inaccessible sites, as well as can allow both greater richness and diversity in content. The concept of the Tutankhamun Virtual Museum is to give certain extended reality experiences that emphasize some aspects of Tutankhamun’s stories and treasures in an appealing and educational manner, such as virtual visits, 360-degree video, mixed reality, augmented reality, and hologram.

MgA. Aleš Kapsa (Czech Republic) informed about “The Labyrinth and the Theatre on the Stage of the World”:

The video mapping Labyrinth of the World and Paradise of the Heart and the film Theatre of the World are the current museum audiovisual adaptions of Comenius’ work in the new permanent exhibition On the Stage of the World – Jan Amos Komenský and His Time. The exhibition opened on 28 March 2022 at the J.A. Comenius Museum in Uherský Brod on the occasion of the 430th anniversary of the birth of the thinker, philosopher and writer. Kapsa’s paper offered a reflection on artistic and technical approaches to the adaption of timeless historical content within a modern museum presentation.

You will find more at: https://musear-platform.com